Has anyone found something else they really like and recommend? I've tried James Miller's 'Hyde Park' and his other Sony LUTs but they seem too dark and washed out for me. So far I get the best results with Alister Chapman's basic AC_A7S_709_.cube or his AC_A7S_709800.cube. And something that gives good editing control at the top and bottom ends. Right now I'd like a good video look, not a film look, with a LUT that gets close enough to minimize color editing. I hope you’ve found the new video beneficial in further understanding how to expose for S-Log2 in the Sony a7R II ( B&H, Amazon) and a7S II ( B&H, Amazon) correctly.I'm looking for the best LUTs for the A7RII Slog2 profile. I can only help in getting the best out of them! Guess what? I did not make these cameras. Lastly, if you’re worried about highlight clipping when overexposing, you can go low, just be willing to live with the consequences. This is the problem – you get okay results on the main subject, but if you have anything darker it will suffer. The noise is clearly and visibly greater at 2 stops over. The background upper portion is 1 stop under key, and the lower portion is 2 stops under key. It might seem like we’re splitting hairs, but –
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